Sep 18, 2017

Words Spun Out of Images: Visual and Literary Culture in Nineteenth Century Japan

In their ambition to capture “real life,” Japanese painters, poets, novelists and photographers of the nineteenth century collaborated in ways seldom explored by their European contemporaries. This course offers learners the chance to encounter and appreciate behavior, moral standards and some of the material conditions surrounding Japanese artists in the nineteenth century, in order to renew our assumptions about what artistic “realism” is and what it meant. Learners will walk away with a clear understanding of how society and the individual were conceived of and represented in early modern Japan. Unlike contemporary western art forms, which acknowledge their common debt as “sister arts” but remain divided by genre and discourse, Japanese visual and literary culture tended to combine, producing literary texts inspired by visual images, and visual images which would then be inscribed with poems and prose. Noticing and being able to interpret this indivisibility of visual/literary cultures is essential in understanding the social and psychological values embedded within the beauty of Japanese art.

Robert CAMPBELL (Emeritus Professor)

Oct 10, 2015

Visualizing Postwar Tokyo, Part 2

The history of postwar Tokyo reveals an essential feature of the modern city, i.e. the city as a place of visualities. In postwar Tokyo, countless gazes fell upon others; gazes from and upon Americans and the Emperor, gazes going up skyscrapers or rushing aggressively through the cityscape, and gazes twining and wriggling among classes, genders, and ethnic groups in downtown Tokyo. In Part 2, we will focus on the geopolitics of these gazes in modern Tokyo. What kinds of gazes fell upon the war orphans, the poor, and the marginalized groups in Tokyo? How did students themselves, who represented the vast accumulation of knowledge in Tokyo, perform in front of these gazes? Moreover, how did cinema or television shows, as media for these gazes, implicate the whole city? In answering these questions, we will identify the geopolitics historically involved in the practice of “visualizing postwar Tokyo.”

YOSHIMI Shunya (Professor, Interfaculty Initiative in Information Studies, The University of Tokyo)

Feb 5, 2026

Visual and auditory perception - How we see and hear the external world

In this course, we will explore the mechanisms of sensory information processing and the distinctive features of vision and hearing from the perspective of cognitive neuroscience. Light from the external world enters the eyes and becomes a mental experience of “seeing,” and sound entering the ears becomes the experience of hearing. These processes involve converting physical stimuli into neural activity in the brain. The course features video materials such as a dissection experiment using a pig’s eyeball, EEG recordings with human participants, and a field experiment demonstrating the mosquito sound phenomenon. Each sensory organ will also be explained three-dimensionally using 3D computer graphics. Please note: The lecture includes footage of a pig’s eyeball dissection, which may be uncomfortable for some viewers.

Feb 28, 2022

Transnational Studies - Japan and the World

The contemporary world is marked by a curious state of tension. On the one hand, it is deeply globalized, with goods, people, culture and ideas circulating across borders on an unprecedented scale. Neither can two of the major crises we are facing, climate change and the COVID-19 pandemic, be contained on the level of individual states. Yet, nation states are still the most powerful political entities in the world, and nationalism is resurging, mobilizing the imagination and aspirations of people everywhere. Academic knowledge, too, is still often aligned with national borders and categories. Transnational studies is an interdisciplinary field that lives in the interstices of this tension. It reflects on why the “nation” has come to have such a powerful grip on the human imagination and social organization. It offers approaches that follow the historical and contemporary movement of ideas, things, people and practices beyond (= “trans”) national borders, explores how they are transformed along the way, and analyzes what enables and limits these movements. In this course, you will gain foundational knowledge about how to think transnationally. An initial module which introduces key concepts and approaches in transnational studies will be followed by four modules that use concrete case studies centered on Japan to spotlight how the transnational can be fruitfully employed across different disciplines, from history to sustainability studies. In doing so, the course offers foundational knowledge in how to navigate the complexities of our globalized world.

Michael FACIUS (Associate Professor, TOKYO COLLEGE, The University of Tokyo) Hannah DAHLBERG-DODD (Project Assistant Professor, TOKYO COLLEGE, The University of Tokyo) HANEDA Masashi (Project Professor, TOKYO COLLEGE, The University of Tokyo) Marcin Pawel Jarzebski (Project Assistant Professor, TOKYO COLLEGE, The University of Tokyo)